![]() In Final Cut’s waveform monitor, luminance values are represented by tiny white dots. Luminance values are a measure of the amount of light in an image. ![]() Drag the slider to the right to reveal additional luminance values in the Waveform scope. On the top left side of the Waveform monitor, click the small button with a histogram to reveal the Display Brightness Slider. This is the best monitor for viewing luminance values. In the left top corner make sure Layout is set to Waveform. You will now be able to see any changes you make in the Canvas.) ![]() Then, open the Color Corrector 3-way tab. To do this, double-click your video file in the Timeline once again. If this happens you need to confirm that you’re working on the right file. (Sometimes you might discover that your Canvas does not update to reflect your color changes. You can also drag the effect from the Effects window (command-5) and drop it on the clip.ĭouble-click the video clip containing the effect to open it in the Viewer.Ĭlick the Visual button to open the 3-way Color Corrector. In the Timeline, select the video track that you’d like to color correct.įrom the Effects menu, choose Video Filters>Color Correction>Color Corrector 3-way. In Final Cut 7’s Window menu, select Arrange>Color Correction. Second, color correction often requires rendering, which can slow editing down to a standstill. First, there’s no need to correct footage until you know for certain it will be in the final project. In most instances, color correction is best left for the end of the editing process. With just a few steps, you can transform washed out video into vibrant and rich imagery. Color correction can dramatically alter the look of your footage. ![]()
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